Erin Darke

Moonshine is a raucous, one-hour dramedy that tells the story of the Finley-Cullens, a dysfunctional clan of adult half-siblings battling for control of the ancestral business, The Moonshine, a ramshackle summer resort on the South Shore of Nova Scotia, two stars on a good day - and that day was in 1979. It's an epic tale of lust, legacy and lobster, set against the backdrop of financial hardship, insane tourists, small-town intrigue and a long-buried secret that threatens to annihilate the Finley-Cullens once and for all.

Set against the backdrop of the beauty industry, Dietland is part-character drama and part-revenge fantasy that explores society's obsession with weight loss and beauty in a bold, original and funny way.

It was the 1960's - a time of economic boom and social strife. Young women poured into the workplace, but the "Help Wanted" ads were segregated by gender and the "Mad Men" office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek, renowned for its cutting-edge coverage of civil rights and the "Swinging Sixties." Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job - for a girl - at an exciting place. But it was a dead end.Women researchers sometimes became reporters, rarely writers, and never editors. Any aspiring female journalist was told, "If you want to be a writer, go somewhere else." On March 16, 1970, the day Newsweek published a cover story on the fledgling feminist movement entitled "Women in Revolt," forty-six Newsweek women charged the magazine with discrimination in hiring and promotion. It was the first female class action lawsuit-the first by women journalists-and it inspired other women in the media to quickly follow suit. Lynn Povich was one of the ringleaders.