Laurence Fishburne

Old-ish is the third spinoff in Barris' ish empire which, in addition to the flagship series, includes ABC-turned-Freeform entry Grown-ish, starring Yara Shahidi, and Mixed-ish, a 1980s-set prequel built around the younger version of Tracee Ellis Ross' character, Rainbow.

The downfall of Los Angeles Clippers' owner Donald Sterling amid the team's drive to win a championship under coach Doc Rivers.

Adapted from the 2016 Marvel comic book series of the same name, Moon Girl and Devil Dinosaur follows the adventures of 13-year-old Lunella Lafayette - one of the smartest people in the world, although not everyone believes her - and Devil, her pet dinosaur, who arrived in the present day thanks to an accidental time vortex. The concept is an updated take on Captain America and X-Men co-creator Jack Kirby's 1978 Devil Dinosaur comic book series.

Based on the Marvel comic line of the same name, the animated series will examine zany alternate timelines based on "what if?" questions.

After rotting in prison for over a decade, America's ultimate hero and uber patriot MacGruber is finally released. His mission: to take down a mysterious villain from his past-Brigadier Commander Enos Queeth. With the entire world in the crosshairs, MacGruber, Vicki and Piper must race against time to defeat the forces of evil. Only to find that evil ... may be lurking within.

History's Greatest Mysteries will investigate a wide range of historically compelling topics and the mysteries surrounding each including the Titanic, D.B. Cooper, Roswell, John Wilkes Booth, and more. Each program within the franchise will showcase fresh, new evidence and perspectives including never-before-released documents to the general public, personal diaries and DNA evidence to unearth brand-new information about these infamous and enigmatic chapters in history.

When an Iraqi War veteran is framed by the cops for a drug deal, he is forced to take refuge inside his apartment building with his family.

From the moment our ancestors smashed two rocks together to forge the first tool, technology and imagination have propelled humanity forward. But now, technology has the power to shape a future beyond our imagination. What was once conceived by science fiction as entertainment is now the blueprint great scientists use to project the future of our world.

Madiba is based on two Mandela books, Conversations With Myself and Nelson Mandela by Himself. Named after Madiba, the Thembu clan to which Nelson Mandela belonged, the project tells the story of a younger Nelson Mandela during the early-60s as he deals with the political unrest engulfing South Africa. Shot exclusively in South Africa and on Robben Island, Madiba details the early years of Mandela's personal journey, and reveals the behind-the-scenes strategizing and bold organizing tactics he and his collaborators used to bring attention to their movement both domestically and internationally.

Historical portrait of American slavery recounting the journey of one family and their will to survive and ultimately carry on their legacy despite hardship.

The series features the characters known from Thomas Harris' novel Red Dragon - FBI Agent Will Graham and Dr. Hannibal Lecter.

CSI is an innovative, new type of crime drama because the characters use cutting-edge forensic tools to examine the evidence to solve the case. Rather than a "whodunnit" cop show investigating witnesses/suspects), CSI explores the "howdunnit". CSI has been the number one scripted series in the Neilsen ratings for three years running.

This half-hour CBS-TV Saturday morning live-action "children's show" aired from 1986 until 1991 and was enormously popular with both children and adults. The program won six Emmy Awards and a host of other accolades during its first season. Incorporating clips from vintage cartoons and old educational films, newly produced 3-D animation, hand puppets, marionettes, and a cast of endearingly eccentric characters led by a gray-suited and red-bow-tied Pee-wee Herman (Paul Reubens), Pee-wee's Playhouse might best be described as a flamboyant take off on the genre of children's educational TV-a sort of Mr. Roger's Neighborhood meets MTV. The childlike Pee-wee each week welcomed viewers into his technicolor fantasy-land, and led them through a regimen of crafts and games, cartoon clips, "secret words," and "educational" adventures via his Magic Screen. Yet, in stark contrast to the high moral seriousness of its predecessors, Pee-wee's Playhouse was marked from its outset by a campy sensibility and frequent use of double entendre, allowing different types of viewers to enjoy the show in many different ways.