Frog is a frog. Toad is a toad. They have a lot in common ... but they are also very different. Frog and Toad are best friends who know that the true secret to friendship is not only enjoying the things you have in common, but embracing the things that make you different. Our differences are what makes us special, and Frog and Toad celebrate them in what makes them unique.
Featuring the wild, insightful, and relatable opinions and ideas of four incredibly different and accomplished women - Margaret Cho, Heather McDonald, Marissa Jaret Winokur and Dr. Tiffanie Davis Henry - the weekly series will take on the latest headlines, break down the "behind closed doors" conversations about sex and love, and connect with women via social media to answer question and dispel misconceptions about what could be considered America's favorite pastime.
TripTank showcases animated shorts so volatile that they should come with a recommended dosage. Combining a range of animation styles and a diverse cast including Wayne Brady, Kumail Nanjiani and Zach Galifianakis, the show promises to offer all the euphoria of a potent hallucinogen without any of the puking.
Follow comedian Margaret Cho and see what really goes on in her crazy life. Margaret Cho will assert her anything goes lifestyle and strive to continue to be herself in an industry that in the past had tried to change her to anything but.
Joan Rivers host a weekly update on the fashion world with co-hosts Kelly Osborne, George Kotsiopoulos and Giuliana Rancic. A weekly look back on who wore what, who looked good, who looked like hell, and who wore it best.
This sitcom made mild history as the first network program to deal with a multi-generational Asian family (the Korean Kim family) coping with the shifts in attitude between the traditional grandmother, the transitional parents, and the more-or-less all-American grandchildren. Its failure stemmed from its uncertain focus on what it means to be Korean in contemporary California society, including the somewhat objectionable casting of Chinese and Japanese actors as Koreans, and from the treatment of standup comic Cho as a rather stereotypical Valley girl on the prowl for boys, in complete contradiction of her popular image as a tough-talking, upfront lesbian. In the latter episodes there was an attempt to shift the show into a show-biz formula, with Cho's character becoming manager of an inept rock band, but to no avail. There was, however, one superb performance: Amy Hill as the proud-to-be-assimilated, straight-talking Korean grandmother.