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The Handmaid's Tale
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Tom Clancy's Jack Ryan
Fear The Walking Dead
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Billions
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Lost in Space (2018)
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You
Dexter
S. Epatha Merkerson

S. Epatha Merkerson



United States

Age: 68

Known for

In Chicago Med as Chief Administrator Sharon Goodwinas Chief Administrator Sharon Goodwin

in Chicago Med
In Law & Order as Lieutenant Anita Van Burenas Lieutenant Anita Van Buren

in Law & Order
In Pee-Wee's Playhouse as Rebaas Reba

in Pee-Wee's Playhouse

TV Series Starring S. Epatha Merkerson

Chicago MedChicago Med
NBC,

2015

| Drama, Action, Crime, Medical
Rating: 4.3/5

Executive producer Dick Wolf delivers the newest installment of the compelling "Chicago" franchise, an emotional thrill ride through the day-to-day chaos of the city's most explosive hospital and the courageous team of doctors who hold it together. They will tackle unique new cases inspired by topical events, forging fiery relationships in the pulse-pounding pandemonium of the emergency room, and through it all, familiar faces from the Chicago police and fire departments will intertwine as this third team of Chicago heroes hits the ground running.


Law & OrderLaw & Order
NBC,

1990

| Drama, Action, Crime
Rating: 4.3/5

The show follows a crime, usually adapted from current headlines, from two separate vantage points. The first half of the show concentrates on the investigation of the crime by the police, the second half follows the prosecution of the crime in court.


Pee-Wee's PlayhousePee-Wee's Playhouse
CBS,

1986

| Comedy, Children

This half-hour CBS-TV Saturday morning live-action "children's show" aired from 1986 until 1991 and was enormously popular with both children and adults. The program won six Emmy Awards and a host of other accolades during its first season. Incorporating clips from vintage cartoons and old educational films, newly produced 3-D animation, hand puppets, marionettes, and a cast of endearingly eccentric characters led by a gray-suited and red-bow-tied Pee-wee Herman (Paul Reubens), Pee-wee's Playhouse might best be described as a flamboyant take off on the genre of children's educational TV-a sort of Mr. Roger's Neighborhood meets MTV. The childlike Pee-wee each week welcomed viewers into his technicolor fantasy-land, and led them through a regimen of crafts and games, cartoon clips, "secret words," and "educational" adventures via his Magic Screen. Yet, in stark contrast to the high moral seriousness of its predecessors, Pee-wee's Playhouse was marked from its outset by a campy sensibility and frequent use of double entendre, allowing different types of viewers to enjoy the show in many different ways.